Table Lamps

OLUCE Cylinda Table Lamp - Angeletti & Ruzza designed Cylinda, a table lamp formed from two cylinders of different dimensions and thicknesses. The first, which is slimmer and taller, becomes the base supporting the second unit, a large, slender disc that forms the light-shade, with an LED light source shining beneath it. In the words of the designers, the essential forms of this design aim: “To eliminate, not to add anything that is not absolutely necessary: this was the mantra guiding the design of the lamp; with its quiet presence, it succeeds in creating a positive atmosphere that can transform everyday routine into everyday poetics.” Cylinda captures the attention with its strong, poetic presence, maintaining a minimalist sophistication with its clean outlines and use of geometric shapes, fully reflecting the Oluce DNA. In the monochrome anthracite version, Cylinda confirms its refined quality, highlighting the elegance of the lines, while in the two-colour version, a brushed gold disc is supported on the anthracite base, a decorative touch that succeeds in discreetly embellishing the object.

OLUCE Alba Table Lamp - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a family with a strong visual impact. In the table lamp version, the drop rests delicately on a satin brass rectangular-section profile in the shape of a double asymmetrical ‘L’ , serving as the base and ornamentation of the light. Suspension Alba on the other hand consists of two models: the single one, gracefully suspended by a cable, and the double one, where the cable supports a metal structure with a satin brass finish, with two offset arms, under which light shines from the opaline drops. In the wall model, the solid is lightly attached to a square-section tubular support that fixes it to the ceiling rose. Two floor-standing versions complete the project: in both versions, a large rectangular-section stem with a satin brass finish arises from an anthracite base. In the first version, an arm branches off from the top, with a sphere suspended underneath it, while in the second, two arms of different heights, on each side, support the luminous drops, one from above and the other from below.

OLUCE Acrilica Table Lamp - Joe Colombo‘s first project for Oluce, the only one worked on together with his brother Gianni. From then on, the two Colombo brothers clearly separated their fields: Joe left art in which he had shown interesting promise with “Nucleari”, while Gianni no longer worked in design, becoming one of the leading exponents of the kinetic, programmed movement. The 281 model, created in 1962, was immediately nicknamed “Acrilica” due to its surprising conspicuousness and exception innovation of the significant curve made from acrylic. Methacrylate, used for about a decade in the field of lighting, usually in thin sheets that are cut or thermoformed, found a very particular use here: its thickness and curve meant that, thanks to its conduction properties, the light from a fluorescent lamp contained within the painted steel base moved through the transparent body, eventually lighting the head in an incredible way. Due to this “magical movement”, “281” is more a work of kinetic art than a lamp.

OLUCE Atollo Metal Table Lamp - Designed in 1977 by Vico Magistretti, over the years, Atollo has become the archetype of the table lamp, winning the Compasso d’Oro in 1979 and completely revolutionising the way we imagine the classic bedside lamp. The geometric shapes that compose it – cylinder, cone and hemisphere – have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design

AUDO COPENHAGEN (formerly known as Menu) Reverse Table Lamp - presents Reverse Lamp, a new lighting solution that underpins the ever-present beauty of natural materials. In his search for simple and clever solutions in any given space, Danish designer Aleksandar Lazic looked to Italian marble tables from the 1970s when creating the Reverse Lamp. Inspired by the play on structure created by geometric constraints, the conical travertine base and curved, bronzed aluminium shade define the lamp’s perfectly balanced expression.

AUDO COPENHAGEN (formerly known as Menu) Hashira Table Lamp - ?launches the Hashira Collection, a modern, Nordic take on the traditional Japanese rice paper lantern. A fusion of East and West, tradition and modernity, and a perfect balance of aesthetics and proportion and simplicity and character, Hashira is a new collection of floor, table and pendant lamps for modern spaces.