Products tagged with 'Lounge Chairs'

What an exquisite work of craftsmanship it is Hubert armchair. An intricate piece with attention to detail that combines soft lines with the roughness of the metallic structure. The backrest is divided by a fine stitching technique into three different sections and all are padded with feathers and highly soft foams, making this an extremely comfortable piece. Hubert is highlighted by an ergonomic shape, finished with graceful piping along the backrest. This will be the stand-out piece of your interior design project.

A design made for comfort in commercial spaces, Alice is a compact and round-shaped armchair that can fit every room. It features a swivel back base that always swivels back to its starting point, to maintain the right position after usage. This piece is upgraded by an exquisite seam work that values its detailing, especially the horizontal seam on the back that perfectly aligns with the seat height. The attention to detail, size, and comfort make Alice the ultimate armchair for commercial projects.

Miki consists of a substantial seat cushion enclosed by a padded, curvilinear, and protective shell that, extending itself, surrounds and envelops the seat, serving as both backrest and armrest. With its curvilinear flow, it embraces the body, transforming the armchair into a private and welcoming refuge. Defined by its compact dimensions and high backrest, Miki elevates the central die-cast aluminium pedestal as a distinctive element, making the armchair even more versatile in its use.

Hasu in Japanese means lotus flower, renowned for its elegance and sophistication, which are reinterpreted aesthetically: impeccable formal cleanliness, perfect proportions between seat and backrest, and visual purity. Hasu is a light, soft armchair, but at the same time, thanks to its wooden structure, stable and solid. The star-shaped base supports and lifts the seat defined by a more substantial padding compared to the backrest. Not only functional but also highly decorative furniture, it is available in a wide range of removable fabric coverings.

Named after her beloved grandmother, Marga von Dardel, who Liljencrantz credits as the most important role model in her life, this elegant lounge chair and two-seater sofa promise to become fundamental in adding warmth and ease to an interior.

Soft, playful shapes characterise this family of upholstered pieces, the Hippo makes a stylish statement in any interior setting. The Hippo stands on two chunky legs and a wooden profile connecting the seat and back which in stark contrast to the soft shapes is hard-lined and strong.The Hippo series is influenced by the Hippopotamus mammal drawing upon its barrel-shaped torsos. The characteristic wooden leg profile comes in four different oak finishes; natural, light smoked, dark smoked and black and the seat and back come in variety of upholstery options

The name ‘Basket’ honors the classic hand-weaving technique used in rattan basketry. The collection comprises a three-seater sofa, a two-seater sofa, and a lounge chair, all of which share the same construction. Replacing the inner fiberglass shell that Colombo initially utilized, the core of each piece is now formed from a more environmentally responsible steel skeleton, which provides strength and stability to the unique form. This is covered with a hand-woven rattan skin, made from interlaced strips and oval stakes, a technique that de- mands a tremendous degree of skill and craftsmanship to create.

Featuring a high backrest and rounded shape, the Claire lounge chair invites you to sit comfortably, while enjoying a moment of relaxation. In contrast to the generous upholstery, the metal frame is minimalist, enhanced by solid wood armrests that give the entire armchair a reassuring tactility. Through these sophisticated details and careful experimentation with proportions and volumes, Norm Architects has sought to create a classic lounge for contemporary living.

A classic lounge armchair in its enveloping form with upholstery available in Dallagnese's rich range of fabrics, leathers and eco-leathers. The base is made of wood, turned with care and attention to detail to add solidity to the comfort.

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It's one of just a few designs by architect Viggo Boesen, who became associated with Denmark's signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable.

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It's one of just a few designs by architect Viggo Boesen, who became associated with Denmark's signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable.xxxAs with most natural materials, differences in structure, density and thickness are expected, as two pieces of sheepskin never look identical and tend to show natural variations in both curls and tones.

With pronounced piping details defining the shape, the lounge chair’s sweeping backrest is seamlessly attached to the round, voluminous seat. Elevated by a frame and gently tapered legs in powder-coated cast aluminium, the chair radiates confidence while maintaining a grounded presence.

The peculiarity of the creations of the Spanish architect Patricia Urquiola is its diversity, its unique, exceptional creativity. The Altay collection, created in 2006/2007 is iconic, avant-garde.

The peculiarity of the creations of the Spanish architect Patricia Urquiola is its diversity, its unique, exceptional creativity. The Altay collection, created in 2006/2007 is iconic, avant-garde.

ARFLEX Yuzu Lounge Chair 2023 collecion

The Yoshida Lounge chair is a minimal piece designed to look great from all angles. From the front, two oversized cushions seem to float, unsupported and balancing in place. From behind you see a large solid wood piece which acts as both the base and the back of the chair, containing within it the large fully upholstered seat and back.

The Clip Lounge chair features two upholstered elements, a back and a base, connected by a single, visible piece of wood which sits flush with the two upholstered pieces. It gives the impression that these two elements have been clipped together by the wood piece. The wood and the upholstery of the piece can be customized.

As light as a cloud, modern and unconventional: Eden armchair stands out for its playful, casual character. Breaking with tradition, the design does away with a rigid frame and base in favour of expanded polyurethane padding and a technical fabric base sitting directly on the floor for better grip. Piping along all the outer edges embellishes Eden’s soft shapes and gives them greater definition.

Sometimes, the secret lies in simplicity. That is how it is for the renowned Indian naan bread, and so it is for the armchair of the same name, designed by Federica Biasi: a compact, embracing volume with soft, gentle contours. The structure develops from a square base with rounded corners into one single block form, projecting it into the space, with no interruption, creating an inviting volume.

The new seat designed by Cristina Celestino for Pianca unfurls like a flower in Spring. And it is indeed nature, with her perfect geometries, that provides the inspiration for Peonia’s creative genesis. Sculptural and inviting, it captures the eternal becoming of every living thing in its forms; the tension to a constant and inescapable perpetual movement.

The strict horizontal lines of the Turn series, along with the slim metal legs in powder coated metal, give this daybed an elegant and light appearance.

Originally Ingeborg was designed in 1940 by Flemming Lassen. The chair was designed by Master carpenter Jakob kjær, who manufactured Flemming Lassen's furniture for The Carpenters guild Annual Furniture Exhibition. The charming little easy chair is named after Flemming and Mogens Lassen's mother, the artist Ingeborg Winding. Ingeborg is a perfect match for the new sofa, called Vilhelm. The sofa is named after the brothers' father Hans Vilhelm Lassen who was a decorative artist. It's a beautiful reunion of Vilhelm and Ingeborg.

Flemming Lassen designed the overstuffed easy chair, The Tired Man, for The Copenhagen Cabinetmakers' Guild Competition in 1935. It is characterized by organic, bearlike shapes and then as now it created a sensation with its curved form and voluminous armrests. Sitting in the chair should, in Flemming Lassen's own words, be "as warm and safe as a polar bear cub in the arms of its mother in the middle of the ice caps". Free ottoman must be the same fabric and finish.

A mid-century bestseller from the hand of Ib Kofod-Larsen, The Penguin Dining Chair remains as popular today as when it was first introduced in 1953. Light and elegant with its curved wooden back and upholstered seat, it continues to offer unparalleled sitting comfort thanks to its considered combination of quality craftsmanship and premium materials.