Lighting

OLUCE Plume Table Lamp - Plume blends a minimal, slender and lightweight design, with a series of expressions that recall the classic lighting styles of the 1950s with the use of metal, configured as a collection with a precious, classic character, yet at the same time, contemporary.

OLUCE Eva Table Lamp - The body of the object is a ball containing the LED light source; it is open on one side and stands on a slim cylindrical base. The inside of the ball is concealed by a surface that almost perfectly completes it, closing it like a sphere that recomposes itself, with the exception of a circle, a luminous light spiral that recalls the phenomenon of an eclipse. As this circular surface moves towards the interior or exterior of the ball, it allows different amounts of light to pass through, creating intimate, suffuse atmospheres, and revealing glimpses of the fine gold leaf walls inside the Eva lamp with varying degrees of clarity.

OLUCE Duca Table Lamp - The Duca Table Lamp was designed by Nicola Gallizia in 2015, and is made in Italy. Originally designed for the ME Milan Il Duca hotel, a luxury hotel located in Milan, the Duca Table Lamp is unique, modern, and practical. Showcasing a pleasing, balanced form, this modern table lamp features a circular base and top that mirror each other. When illuminated, light is cast from the LED light source straight down providing accent light that is perfect on a side table, bedside table or console table.

OLUCE Cylinda Table Lamp - Angeletti & Ruzza designed Cylinda, a table lamp formed from two cylinders of different dimensions and thicknesses. The first, which is slimmer and taller, becomes the base supporting the second unit, a large, slender disc that forms the light-shade, with an LED light source shining beneath it. In the words of the designers, the essential forms of this design aim: “To eliminate, not to add anything that is not absolutely necessary: this was the mantra guiding the design of the lamp; with its quiet presence, it succeeds in creating a positive atmosphere that can transform everyday routine into everyday poetics.” Cylinda captures the attention with its strong, poetic presence, maintaining a minimalist sophistication with its clean outlines and use of geometric shapes, fully reflecting the Oluce DNA. In the monochrome anthracite version, Cylinda confirms its refined quality, highlighting the elegance of the lines, while in the two-colour version, a brushed gold disc is supported on the anthracite base, a decorative touch that succeeds in discreetly embellishing the object.

OLUCE Alba Table Lamp - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a family with a strong visual impact. In the table lamp version, the drop rests delicately on a satin brass rectangular-section profile in the shape of a double asymmetrical ‘L’ , serving as the base and ornamentation of the light. Suspension Alba on the other hand consists of two models: the single one, gracefully suspended by a cable, and the double one, where the cable supports a metal structure with a satin brass finish, with two offset arms, under which light shines from the opaline drops. In the wall model, the solid is lightly attached to a square-section tubular support that fixes it to the ceiling rose. Two floor-standing versions complete the project: in both versions, a large rectangular-section stem with a satin brass finish arises from an anthracite base. In the first version, an arm branches off from the top, with a sphere suspended underneath it, while in the second, two arms of different heights, on each side, support the luminous drops, one from above and the other from below.

OLUCE Acrilica Table Lamp - Joe Colombo‘s first project for Oluce, the only one worked on together with his brother Gianni. From then on, the two Colombo brothers clearly separated their fields: Joe left art in which he had shown interesting promise with “Nucleari”, while Gianni no longer worked in design, becoming one of the leading exponents of the kinetic, programmed movement. The 281 model, created in 1962, was immediately nicknamed “Acrilica” due to its surprising conspicuousness and exception innovation of the significant curve made from acrylic. Methacrylate, used for about a decade in the field of lighting, usually in thin sheets that are cut or thermoformed, found a very particular use here: its thickness and curve meant that, thanks to its conduction properties, the light from a fluorescent lamp contained within the painted steel base moved through the transparent body, eventually lighting the head in an incredible way. Due to this “magical movement”, “281” is more a work of kinetic art than a lamp.