Floor Lamps

OLUCE Superluna Floor Lamp - The slender metal rod of the SUPERLUNA lamp conceals the electrical components and it hosts the light source: the LED opens out onto the stem in line with the semi-spherical shade that reflects its light by rotating on its own axis. In this way, the echo of the perpetual movement of celestial bodies is enhanced by the small luminous core contained in the structure of the lamp itself.

GUBI Grashoppa Floor Lamp - The iconic Gräshoppa Floor Lamp was first produced in 1947 by the feminine pioneer Greta M. Grossman.

Berlin‘s refinement is expressed by its thick metal ring diffusers and a slender profile that encloses two discs of wired glass. The diffusers, two in the floor-standing version and four in the suspended version, are supported by a slender, tubular stem and can be rotated 360° according to lighting requirements.

Captivated by fluid forms and a vast spectrum of vivid colours, Panton designed this lamp to be more than a source of illumination. He went on to create entire interiors filled with furniture, saturated with psychedelic colours and accentuated with lamps appearing in repeated patterns as decorative details. From futuristic furniture fairs to exhibition spaces to museums of contemporary design, galleries and private collections, the FlowerPots continue to signify a singular formula for beauty and simplicity.

Playful, poetic and pared back, Space Copenhagen’s design team have reimagined the traditional lantern with the calming and characterful Unbound Table Lamp. With the teardrop-shaped marble base acting as an anchor, the white linen or natural canvas shade can be effortlessly rotated around it, as though it were a sail, gently billowing. Its dark antique brass ‘mast’ supports an array of dimmable LED lights within the shade that create a soft, diffuse and evenly distributed light.

Comprising a lounge chair, three-seater sofa, ottoman and floor lamp – all crafted from rattan – the Bohemian 72 Collection embodies Crespi’s career-long aim to create furniture that seamlessly unites indoor and outdoor living. She never allowed curtains or screens to block the natural flow of light or air and had what her daughter has described as ‘a deep sentiment for the cosmic energy of nature’.