Dining

When introducing the Ovata Dining Table, the Ovata collection is further unfolded with an entirely new typology, the dining table. The almost monumental table effortlessly balances tactile surfaces, natural materials, and a pared-back aesthetics.

Deriving from Latin, the term vector literally means ‘to carry’ – and the name thus refers to the typology of a table in its simplest form. Playing with perspective, when viewed from the end, the frame in black powder-coated aluminium appears dense, adding weight to the design, whilst seen from the side, the slender silhouette seems light and airy.

Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the metal structure.

When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.

Japanese and Scandinavian design traditions meet in Massproductions Icha Stool, an elegant chair with a light yet sturdy construction. The Icha Stool is a complex wooden chair in solid, layer-glued wood, a combination that makes it dependent on three different production techniques.

The Crown Armchair is cleverly constructed, with a playful element to it. It’s backrests are perched on the armrests, seemingly unsupported but in fact relying on a strong, concealed steel joint.